Bach Bibliography Search Result

Series : ^BachPerspectives$
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Schulenberg, David	Composition and Improvisation in the School of J. S. Bach.	BachPerspectives	1		1995	1-42
	2.	Stinson, Russell	The Compositional History of Bach's Orgelbüchlein Reconsidered.	BachPerspectives	1		1995	43-78
	3.	Marissen, Michael	Concerto Styles and Signification in Bach's First Brandenburg Concerto.	BachPerspectives	1		1995	79-101
	4.	Chafe, Eric T.	'Anfang und Ende': Cyclic Recurrence in Bach's Cantata 'Jesu, nun sei gepreiset', BWV 41.	BachPerspectives	1		1995	103-134
	5.	Crist, Stephen A.	The Question of Parody in Bach's Cantata 'Preise dein Glücke, gesegnetes Sachsen', BWV 215.	BachPerspectives	1		1995	135-161
	6.	Brokaw, James A., II	The Perfectability of J. S. Bach, or Did Bach Compose the Fugue on a Theme by Legrenzi, BWV 574a?	BachPerspectives	1		1995	163-180
	7.	Stinson, Russell (ed.)	Bach Perspectives I.	BachPerspectives	1		1995	xii, 226p
	8.	Butler, Lynn Edwards	Bach's Report on Johann Scheibe's Organ for St Paul's Church, Leipzig: A Reassessment.	Bachperspectives	10		2016	1-15
	9.	Leaver, Robin A.	Bach's Choral-Buch? The Significance of a Manuscript in the Sibley Library.	Bachperspectives	10		2016	16-38
	10.	Stauffer, George B.	Miscellaneous Organ Trios from Bach's Leipzig Workshop.	Bachperspectives	10		2016	39-59
	11.	Wolff, Christoph	Did J. S. Bach Write Organ Concertos? Apropos the Prehistory of Cantata Movements with Obbligato Organ.	Bachperspectives	10		2016	60-75
	12.	Butler, Gregory G.	The Choir Loft as Chamber: Concerted Movements by Bach from the Mid- to Late 1720s.	Bachperspectives	10		2016	76-86
	13.	Cron, Matthew	Music from Heaven: An Eighteenth-Century Context for Cantatas with Obbligato Organ.	Bachperspectives	10		2016	87-118
	14.	Dirst, Matthew (ed.)	Bach and the Organ.	Bachperspectives	10		2016	viii, 122p
	15.	Marshall, Robert L.	Father and Sons: Confronting a Uniquely Daunting Paternal Legacy.	BachPerspectives	11		2017	1-23
	16.	Oleskiewicz, Mary	Keyboards, Music Rooms, and the Bach Family at the Court of Frederick the Great.	BachPerspectives	11		2017	24-82
	17.	Schulenberg, David	C. P. E. Bach's Keyboard Music and the Question of Idiom.	BachPerspectives	11		2017	83-112
	18.	Cortens, Evan	Voices and Invoices: The Hamburg Vocal Ensemble of C. P. E. Bach.	BachPerspectives	11		2017	113-131
	19.	Blanken, Christine	Recently Rediscovered Sources of Music of the Bach Family in the Breitkopf Archive.	BachPerspectives	11		2017	132-171
	20.	Oleskiewicz, Mary (ed.)	J. S. Bach and His Sons.	BachPerspectives	11		2017	x, 191p
	21.	Noll, Mark	Historical Proximity: John Wesley Visits Leipzig in 1738.	BachPerspectives	12		2018	1-16
	22.	Irwin, Joyce L.	Dancing in Bach's Time: Sin or Permissible Pleasure?	BachPerspectives	12		2018	17-35
	23.	Leaver, Robin A.	A Catholic Hymnal for Use in Lutheran Leipzig: Catholisches Gesang-Buch (Leipzig, 1724).	BachPerspectives	12		2018	36-62
	24.	Stockigt, Janice B.	Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited.	BachPerspectives	12		2018	63-83
	25.	Rathey, Markus	Bach's Christmas Oratorio and the Mystical Theology of Bernard of Clairvaux.	BachPerspectives	12		2018	84-103
	26.	Stauff, Derek	The Church under Persecution: Bach's Cantatas for the Fourth Sunday after Epiphany.	BachPerspectives	12		2018	104-128
	27.	Cypess, Rebecca	Music Historicism: Sara Levy and the Jewish Enlightenment.	BachPerspectives	12		2018	129-151
	28.	Leaver, Robin A. (ed.)	Bach and the Counterpoint of Religion.	BachPerspectives	12		2018	x, 157p
	29.	Zepf, Markus	Reworking Fischer: Some Observations about Johann Sebastian Bach and Johann Caspar Ferdinand Fischer.	BachPerspectives	13		2020	1-35
	30.	Hill, Moira Leanne	Repaying Debt with Interest: The Revision of Borrowed Movements in C. P. E. Bach's Passions.	BachPerspectives	13		2020	36-73
	31.	Knyt, Erinn E.	The Bach-Busoni Goldberg Variations.	BachPerspectives	13		2020	74-100
	32.	Crist, Stephen A.	Bach as Modern Jazz.	BachPerspectives	13		2020	101-121
	33.	Exner, Ellen	Certifying J. S. Bach's Interplanetary Funksmanship; or, What Bach Meant to Bernie Worrell.	BachPerspectives	13		2020	122-142
	34.	Buch, Laura (ed.)	Bach Reworked.	BachPerspectives	13		2020	149p
	35.	Stauffer, George B.	The Breitkopf Family and Its Role in Eighteenth-Century Music Publishing.	BachPerspectives	2		1996	1-9
	36.	May, Ernest	Connections between Breitkopf and J. S. Bach.	BachPerspectives	2		1996	11-26
	37.	Glöckner, Andreas	Church Cantatas in the Breitkopf Catalogs.	BachPerspectives	2		1996	27-33
	38.	Schulze, Hans-Joachim	J. S. Bach's Vocal Works in the Breitkopf Nonthematic Catalogs of 1761 to 1836.	BachPerspectives	2		1996	35-49
	39.	Kobayashi, Yoshitake	Breitkopf Attributions and Research on the Bach Family.	BachPerspectives	2		1996	53-63
	40.	Daub, Peggy	The Publications Process and Audience for C. P. E. Bach's 'Sonaten für Kenner und Liebhaber'.	BachPerspectives	2		1996	65-83
	41.	Zaslaw, Neal	The Breitkopf Firm's Relations with Leopold and Wolfgang Mozart.	BachPerspectives	2		1996	85-103
	42.	Kobayashi, Yoshitake	On the Identification of Breitkopf's Manuscripts.	BachPerspectives	2		1996	107-121
	43.	Hill, Goerge R.	Identifying Breitkopf House Copies Produced by the Firm's Own Scribes: A Preliminary Survey.	BachPerspectives	2		1996	123-141
	44.	Cammarota, Robert M.	The Magnificat Listings in the Early Breitkopf Nonthematic Catalogs.	BachPerspectives	2		1996	143-156
	45.	Butler, Gregory G.	Johann Gottlob Immanuel Breitkopf: The Formative Years.	BachPerspectives	2		1996	159-168
	46.	Landmann, Ortrun	Breitkopf's Music Trade as Reflected in the Holdings of the Sächsische Landesbibliothek.	BachPerspectives	2		1996	169-179
	47.	Stauffer, George B.	The Thomasschule and the Haus 'zum Goldenen Bären': A Bach-Breitkopf Architectural Connection.	BachPerspectives	2		1996	181-203
	48.	Stauffer, George B. (ed.)	J. S. Bach, the Breitkopfs, and Eighteenth-Century Music Trade.	BachPerspectives	2		1996	xv, 219p
	49.	Finscher, Ludwig	Bach's Posthumous Role in Music History.	BachPerspectives	3		1998	1-21
	50.	Christensen, Thomas	Bach among the Theorists.	BachPerspectives	3		1998	23-46
	51.	Marshall, Robert L.	Bach and Mozart's Artistic Maturity.	BachPerspectives	3		1998	47-79
	52.	Kinderman, William	Bachian Affinities in Beethoven.	BachPerspectives	3		1998	81-108
	53.	Frisch, Walter	Bach, Brahms, and the Emergence of Musical Modernism.	BachPerspectives	3		1998	109-131
	54.	Hinton, Stephen	Hindemith, Bach, and the Melancholy of Obligation.	BachPerspectives	3		1998	133-150
	55.	Marissen, Michael (ed.)	Creative Responses to Bach from Mozart to Hindemith.	BachPerspectives	3		1998	ix, 160p
	56.	Butler, Gregory G.	The Question of Genre in J. S. Bach's Fourth Brandenburg Concerto.	BachPerspectives	4		1999	9-32
	57.	Mann, Alfred	Introduction: Bach's Orchestral Music.	BachPerspectives	4		1999	3-8
	58.	Swack, Jeanne	Modular Structure and the Recognition of Ritornello in Bach's Brandenburg Concertos.	BachPerspectives	4		1999	33-53
	59.	Koster, John	The Harpsichord Culture in Bach's Environs.	BachPerspectives	4		1999	57-77
	60.	Oleskiewicz, Mary	The Trio in Bach's Musical Offering: A Salute to Frederick's Tastes and Quantz's Flutes?	BachPerspectives	4		1999	79-110
	61.	Schulenberg, David	Versions of Bach: Performing Practice in the Keyboard Works.	BachPerspectives	4		1999	111-135
	62.	Renwick, William	39. Praeludia et Fugen del Signor Johann Sebastian Bach? The Langloz Manuscript, SBB Mus. ms. Bach P 296.	BachPerspectives	4		1999	137-158
	63.	Walker, Paul	Fugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue.	BachPerspectives	4		1999	159-179
	64.	Butt, John	Bach Recordings since 1980: A Mirror of Historical Performance.	BachPerspectives	4		1999	181-198
	65.	Schulenberg, David (ed)	The Music of J. S. Bach. Analysis and Interpretation.	BachPerspectives	4		1999	x, 208p
	66.	Owen, Barbara	Bach Comes to America.	BachPerspectives	5		2003	1-14
	67.	Dirst, Matthew	Doing Missionary Work: Dwight's Journal of Music and the American Bach Awakening.	BachPerspectives	5		2003	15-35
	68.	Broyles, Michael	Haupt's Boys: Lobbying for Bach in Nineteenth-Century Boston.	BachPerspectives	5		2003	37-55
	69.	Greer, Mary J.	'The Public...Would Probably Prefer Something that Appeals Less to the Brain and More to the Senses': The Reception of Bach's Music in New York City, 1855-1900.	BachPerspectives	5		2003	57-114
	70.	Schulze, Hans-Joachim	'A Lineal Descendant of the Great Musician, John Sebastian Bach'? Bach Descendants in the United States and the Problem of Family Oral Tradition.	BachPerspectives	5		2003	115-122
	71.	Wolff, Christoph	Descendants of Wilhelm Friedemann Bach in the United States.	BachPerspectives	5		2003	123-130
	72.	Wollny, Peter	On Miscellaneous American Bach Sources.	BachPerspectives	5		2003	131-150
	73.	Baron, Carol Kitzes	'Father Knew (and Filled Me Up with) Bach': Bach and Ives--Affinities in Lines and Spaces.	BachPerspectives	5		2003	151-177
	74.	Crist, Stephen A.	The Role and Meaning of the Bach Chorale in the Music of Dave Brubeck.	BachPerspectives	5		2003	179-215
	75.	Crist, Stephen A. (ed.)	Bach in America.	BachPerspectives	5		2003	xiv, 227p
	76.	Rifkin, Joshua	The 'B-Minor Flute Suite' Deconstructed. New Light on Bach's Ouverture BWV 1067.	BachPerspectives	6		2007	1-98
	77.	Swack, Jeanne	A Comparison of Bach's and Telemann's Use of the Ouverture as Theological Signifier.	BachPerspectives	6		2007	99-135
	78.	Zohn, Steven	Bach and the Concert en ouverture.	BachPerspectives	6		2007	137-156
	79.	Butler, Gregory G.	J. S. Bach's Concerted Ensemble Music, The Ouverture.	BachPerspectives	6		2007	xi, 163p
	80.	Butler, Gregory G.	Bach the Cobbler: The Origins of J. S. Bach's E-Major Concerto (BWV 1053).	BachPerspectives	7		2008	1-20
	81.	Dirksen, Pieter	J. S. Bach's Violin Concerto in G Minor.	BachPerspectives	7		2008	21-54
	82.	Schulenberg, David	The Sonate auf Concertenart: A Postmodern Invention?	BachPerspectives	7		2008	55-96
	83.	Wolff, Christoph	Sicilianos and Organ Recitals: Observations on J. S. Bach's Concertos.	BachPerspectives	7		2008	97-114
	84.	Butler, Gregory G. (ed.)	J. S. Bach's Concerted Ensemble Music, The Concerto.	BachPerspectives	7		2008	xi, 121p
	85.	Wolff, Christoph	Under the Spell of Opera? Bach's Oratorio Trilogy.	BachPerspectives	8		2011	1-12
	86.	Melamed, Daniel R.	Johann Sebastian Bach and Barthold Heinrich Brockes.	BachPerspectives	8		2011	13-41
	87.	Rathey, Markus	Drama and Discourse: The Form and Function of Chorale Tropes in Bach's Oratorios.	BachPerspectives	8		2011	42-68
	88.	Snyder, Kerala J.	Oratorio on Five Afternoons: From the Lübeck Abendmusiken to Bach's Christmas Oratorio.	BachPerspectives	8		2011	69-95
	89.	Dreyfus, Laurence	The Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St. John Passion.	BachPerspectives	8		2011	96-121
	90.	Chafe, Eric	Bach's Ascension Oratorio: God's Kingdoms and Their Representation.	BachPerspectives	8		2011	122-145
	91.	Melamed, Daniel R. (ed.)	J. S. Bach and the Oratorio Tradition.	BachPerspectives	8		2011	ix, 153p
	92.	Hirschmann, Wolfgang	'He Liked to Hear the Music of Others': Individuality and Variety in the Works of Bach and His German Contemporaries.	BachPerspectives	9		2013	1-23
	93.	Zohn, Steven	Aesthetic Mediation and Tertiary Rhetoric.	BachPerspectives	9		2013	24-49
	94.	Talle, Andrew	Bach, Graupner, and the Rest of Their Contented Contemporaries.	BachPerspectives	9		2013	50-76
	95.	Dunlop, Alison J.	The Famously Little-Known Gottlieb Muffat.	BachPerspectives	9		2013	77-119
	96.	Maul, Michael	Bach versus Scheibe: Hitherto Unknown Battlegrounds in a Famous Conflict.	BachPerspectives	9		2013	120-143
	97.	Talle, Andrew (ed.)	J. S. Bach and His German Contemporaries.	BachPerspectives	9		2013	viii, 151p